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Joy Von Spain

PATHOGENS: Soiled Cogs Forever Grinding Full-Length From Apocalyptic Death Industrial Project Out Now And Streaming Via Scry Recordings

March 29, 2020 by Joy Von Spain

An uncomfortably accurate reflection of a dying world, PATHOGENS exists solely to serve as an unflinching reminder of the negative influences of the human species inhabiting this planet.

Soiled Cogs Forever Grinding, the latest offering from apocalyptic death industrial project PATHOGENS, is out NOW and streaming via Scry Recordings and Black Horizons.

PATHOGENS is A. D. Carter using manipulated samples, distorted synth, found objects and contact mic recordings, electronic drums and percussion, electric guitar, voice, and throat. An uncomfortably accurate reflection of a dying world, PATHOGENS exists solely to serve as an unflinching reminder of the negative influences of the human species inhabiting this planet. Taking early Swans influences to an even more bleak and excruciating extreme, A. D. Carter blends synth distortion, primal mechanical rhythms, profoundly disturbing samples, and nightmarish agonized vocalizations to create death industrial doom akin to its influences, yet unique and singular.

read more HERE

PATHOGENS: Apocalyptic Death Industrial Project To Release Soiled Cogs Forever Grinding Via Scry Recordings And Black Horizons; New Track Streaming + Preorders Available

March 1, 2020 by Joy Von Spain

Apocalyptic death industrial project PATHOGENS will release the three-song Soiled Cogs Forever Grinding via a partnership between Scry Recordings and Black Horizons on March 13th.

PATHOGENS is A. D. Carter using manipulated samples, distorted synth, found objects and contact mic recordings, electronic drums and percussion, electric guitar, voice, and throat. The reflection of a dying world, PATHOGENS exists solely to serve as an unflinching reminder of the negative influences of the human species inhabiting this planet. Taking early Swans influences to an even more bleak and excruciating extremes, A. D. Carter blends synth distortion, primal mechanical rhythms, profoundly disturbing samples, and nightmarish agonized vocalizations to create death industrial doom akin to its influences, yet unique and singular.

In advance of the release of Soiled Cogs Forever Grinding, Captured Howls is streaming “Hollow Eyes” noting, “The track begins with and mostly runs on a bubbling stew of nauseating, thick-toned sonic muck. It’s a meaty, repeatedly drawn out series of tones that erratically surge and retract over and over again. Listening feels somewhat like what gradually falling through increasingly suffocating quicksand must be like — there’s no breathing room, no empty space, just the devilishly snaking, crushing tidal waves of this brutal sound…”

Read more and stream “Hollow Eyes,” exclusively at Captured Howls, at THIS LOCATION.

Recorded and mixed by A. D. Carter at Minecrawl Studio and mastered by Egan Budd with layout by Zach Wise Soiled Cogs Forever Grinding will be released on cassette (limited to 50 copies) and digital formats. For preorders go to THIS LOCATION.

 

READ MORE HERE

VANESSA SKANTZE: Luminary Butoh Artist To Release Writhing Treasure Feast April 10th Via Scry Recordings; New Track Streaming, Preorders Available + Performances And Workshops Announced

February 28, 2020 by Joy Von Spain

Writhing Treasure Feast is a soundtrack for the solo dance exploration by activist and luminary Butoh dancer VANESSA SKANTZE. Here Skantze explores the sounds of the fierce beauty, pain, resourcefulness, and resurrection of the land, the people, the creatures, and elements of the original Americas, dancing with the gods of Mexico, North America, and Haiti primarily. Writhing Treasure Feast draws from the artist’s travels to Mexico and Haiti, her experience and initiation into a Vodou Sosyete (community) in New Orleans, and her residency in Seattle, the traditional land of the Duwamish People.

Skantze produced, directed, choreographed, and performed the live dance elements of the piece as well as conceptualized, co-produced, and commissioned the music, photography, original text, and painting aspects of this magnum opus which incorporates the skills of a host of vanguard sound artists including Masaaki Masao, Erymanthe (Joy Von Spain and Susan Dumett), Pink Void, Greg Campbell and Sioux City Pete, Morher, Noisepoetnobody and Uneasy Chairs, and Noisepoetnobody and Cailleach.

Divided into seven sections: Stone, Sea, Wind, Fire, Serpent, Muck, and River featuring lush and unexpected soundscapes, the offering was recorded and mixed by Marc Tweed, mastered by Casey Chittenden Jones, and includes artwork by Ambrosia Bardos and photography by Anima Nocturna.

The Writhing Treasure Feast project will be released digitally (audio only) and as a 2xCD with a 72-page art book of photography prints and original text by SKANTZE. Find preorders via SKANTZE’s Bandcamp page at THIS LOCATION.

VANESSA SKANTZE will perform Writhing Treasure Feast in Seattle this weekend followed by additional appearances and workshops in Europe. See confirmed performances below.

Sample SKANTZE’s hypnotic work via YouTube at THIS LOCATION.  

 

Writhing Treasure Feast Track Listing:
Disc 1
1. Stone – Masaaki Masao
2. Sea – Erymanthe (Susan DuMett and Joy Von Spain)
3. Wind – Pink Void
Disc 2
4. Fire – Greg Campbell and Sioux City Pete
5. Serpent – Morher
6. Muck – Noisepoetnobody and Uneasy Chairs
7. River – Noisepoetnobody and Cailleach

VANESSA SKANTZE’s Writhing Treasure Feast:
2/28/2020 Base Art Space – Seattle, WA [Tickets]
2/29/2020 Base Art Space – Seattle, WA [Tickets]
3/01/2020 Base Art Space – Seattle, WA [Tickets]
3/7/2020 Spazio Nu – Pontedera, IT
3/26/2020 Taller Air, Poble Sec- Barcelona, SP * Lecture: Butoh In The USA
3/27/2020 Oracles Theatre, Poble Sec – Barcelona, SP
3/28/2020 La Sala De Las Bestias Barcelona, SP * The Rhythm Of A Star, Butoh Workshop
3/29/2020 La Sala De Las Bestias Barcelona, SP * The Rhythm Of A Star, Butoh Workshop
4/02/2020 TBA – Porto, PT
4/04/2020 Porto D’Artes – Porto, PT * The Rhythm Of A Star, Butoh Workshop
4/05/2020 Porto D’Artes – Porto, PT * The Rhythm Of A Star, Butoh Workshop

Artist Bios:

Vanessa Skantze is a Butoh artist and teacher of yoga and dance in the Seattle area. A student of Atsushi Takenouchi (founder of Jinen Butoh), she has performed in the U.S. and Europe for over twenty years, has led hundreds of classes as part of the Yoga Behind Bars program, and participates in the Freehold Engaged Theater residency. Her multi-disciplinary collaborations with artists such as Tatsuya Nakatani and Jarboe reveal an attention to detail, intensity of emotion, narrative skill and wide dynamic range.

Masaaki Masao is a sound collage and electronic music artist, creating intricate textures from dark ambient to harsh wall noise. He also is a member of the avant-garde metal band Eye Of Nix, multi-disciplinary group Caligula Cartel, and the post-industrial duo To End It All. He has often collaborated with butoh performers in the Seattle area.

Susan DuMett (Erymanthe) explores themes of myth and mysticism, of non-ordinary states of consciousness, of catharsis, of opening and awakening, and of transition and transformation with a voice that ranges from the celestial to the subterranean. Her work ranges from the sacred to the avant-garde, often driven by intuitive soundings rather than words. As a solo artist she layers vocalizations over organic sounds and synths to create multidimensional, harmonic soundscapes.

Joy Von Spain (Erymanthe) is a vocalist and instrumentalist with a background in avant-garde classical and early European music. Currently active in the avant-garde metal band Eye Of Nix, multi-disciplinary group Caligula Cartel, and the post-industrial duo To End It All, she has worked with several butoh artists in the region including many collaborations with Vanessa Skantze.

Pink Void is the moniker of Crystal Perez. Since 2011 she’s created sprawling landscapes of layered sound with guitar, keyboard, field recordings and samples that speak to the subconscious mind.

Greg Campbell plays drums, percussion, French horn, and other instruments in Seattle and beyond. He works with the traditional Ghanaian drumming ensemble Anokye Agofomma and works with the Gansango Music and Dance group. He teaches at the Cornish College of the Arts and Cascadia College.

Sioux City Pete is a guitar slinger, poet, and outlaw. He started his first band in 1979 at age ten and hasnt stopped since. His solo sets are both electric and acoustic and his performances with his band The Beggars are extraordinary immersions in the essence of deep blues and rock and roll. He currently fronts extreme punk band the Convictions and lives in Seattle.

Ambrosia Bardos (Morher) creates work that is cohesively interdisciplinary – synthesizing sound, movement, image, and object to achieve conceptual impact across the sensory spectrum. Their performances are improvisatory and multisensory, utilizing the body as a sound source and manipulating the air around them to overtake our perceived reality and hand-hold us through the void.

Patrick Neill Gundran (Uneasy Chairs) has been exploring free improvisation, pure sound, and deep listening after moving past many years of conventional writing and playing guitar. His approach is rooted in minimalism, using the least number of tools to allow for the maximum amount of expression and connection between his sense of self, others and the environment.

Noisepoetnobody (Casey Chittenden Jones) utilizes homemade instruments and modular synthesizers to create haunting, discordant, and broken sounds to express the need for creativity in a dying ecosystem. NPN is always seeking to promote mental deprogramming through anti-commercial sonic immersion through playing live, recording, remixing, and mastering audio.

Cailleach (Benj Cameron) is a solo hurdy gurdy project, sometimes incorporating Japanese sho and resonant metals. A founding member of Seattle’s Caligula Cartel, he is also a longtime collaborator of Noisepoetnobody in an analog synth/hurdy gurdy duo, and an ongoing exploration of Ladino folk songs with Vanessa Skantze.

Anima Nocturna is the sanctuary for the sacralized work of multi-media artist Carlos Melgoza. Art as a ritualized digestive process of experience – whether philosophical, intellectual, or esoteric. Photography, the medium most often used to describe “reality,” appropriated to reify magico-mystic experience. Evidence as praise to the absolute.

http://vanessaskantze.bandcamp.com/releases
http://www.scryrecordings.com
http://www.facebook.com/scryrecordings
http://www.instagam.com/scry_recordings

APEX FEST NYC 2020

TO END IT ALL TO APPEAR AT APEX FEST 2020 (NYC)

February 1, 2020 by Joy Von Spain

On MAY 8-9, ANNIHILVS POWER ELECTRONIX returns to TRANS-PECOS for the first time in years to present APEX FEST 2020, featuring an assembly of acts working within the multifaceted substrata of industrial, power electronics, experimental noise, and beyond.

Advance ticket sales and more details will be announced soon.

LINEUP:

MURDEROUS VISION (CLEVELAND)
murderousvision1.bandcamp.com
T.O.M.B. (PA)
tombnoise.bandcamp.com
ORMUS (PORTLAND, OR)
ormus.bandcamp.com
TO END IT ALL (SEATTLE)
toenditall.bandcamp.com
TEN THOUSAND MILES OF ARTERIES (IDAHO)
ttmoa.bandcamp.com
TIMEGHOST (PROVIDENCE/NYC)
nexykl.org/timeghost
RECTRIX (PROVIDENCE)
pippizornoza.com/pippi/music
THE VOMIT ARSONIST (PROVIDENCE)
thevomitaraonist.bandcamp.com
VENERENCE (NYC)
https://chondriticsound.bandcamp.com/album/just-for-you
OCTONOMY (NYC)
octonomy.bandcamp.com

DJ DEREK RUSH (Chthonic Streams)

DJ PLAGUELUSTRE (There is but none)

TEIA+Vanessa @ Yule 12-14-19

LIVE VIDEO NOW UP: TO END IT ALL + VANESSA SKANTZE (BUTOH) & ANIMA NOCTURNA AT CASCADIAN YULE 2019

December 28, 2019 by Joy Von Spain

why I live in Seattle

December 22, 2019 by Joy Von Spain

I can tell you, it was glorious. Rain unending for days in a row and deep indigo skies…

“According to the climate blog of University of Washington Atmospheric Sciences Professor Cliff Mass, Dec. 20, 2019 was the darkest day ever recorded in the 20 years since the school has been recorded solar radiation on the roof one of the atmospheric sciences building.

Mass said they measured just .37 million Joules of solar radiation over a square meter surface on Dec. 20. The previous record low was .39 million Joules in December of 2006. For comparison, the university recorded 27 million Joules in July.

“Everything had to be perfect to achieve this depressing record,” Mass explains in the blog. Not only are the days incredibly short because of the almost-solstice, but there have been intense storms around Seattle for days.” more HERE

sataray+animanocturna 11-1-19_Fjara

DAY OF THE DEAD ritual at Azoth led by Sataray & Anima Nocturna (video)

December 22, 2019 by Joy Von Spain

Sataray_Bornless_anima-nocturna

SATARAY: live at Litha Cascadia 2019 – full video now up from BLUE HERON VIDEO

December 22, 2019 by Joy Von Spain

The stunning 3am ritual performance by Sataray and Anima Nocturna was captured in sound and vision by BLUE HERON VIDEO and is now available to see HERE

Noisepoetnobody - Concrete Vitalist - SCRY14

CONCRETE VITALIST – end of the year list at TOILET OV HELL 2019

December 22, 2019 by Joy Von Spain

“An incredible soundscape with plenty of noise and musique concrete elements, this four-movement piece features a mix of field recordings and prepared/string piano with synth noise and drones. It’s the sound of urban living, urban decay. At times haunting, and at others downright menacing.”

Noisepoetnobody’s CONCRETE VITALIST appears at #6 in this interesting EOTY list at the illustrious Toilet Ov Hell

Noisepoetnobody - Concrete Vitalist - SCRY14

Noisepoetnobody: CONCRETE VITALIST – album review by The Progressive Aspect

December 22, 2019 by Joy Von Spain

“To my mind, this experimental music thrives on one person’s audience participation. Your imagination is a vital instrument that you must employ to derive any kind of reward from such music. Concrete Vitalist shows this perfectly.” – read the entire review HERE

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