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Monthly Archives: March 2020

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SATARAY: Dark Ambient Project Releases “Saturn” Single Via Scry Recordings
March 29, 2020 by Joy Von Spain

One-woman dark ambient project SATARAY has unleashed a chilling new single entitled “Saturn” via Scry Recordings. The track was performed, recorded, and mixed by SATARAY and mastered by Casey Chittenden Jones (Noisepoetnobody).

“This song was originally created for a ritual performance, with the energy of the planet Saturn and its energetic influence in mind,” notes SATARAY. “Saturn is already very much a part of me, but over the last year its influence has been especially intense and transformative in my life – and this song is ode to that.”

Stream SATARAY’s “Saturn” at THIS LOCATION where the track can also be purchased.

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VANESSA SKANTZE: BrooklynVegan Premieres “Wind” Off Writhing Treasure Feast; Soundtrack To See Release Next Month Via Scry Recordings
March 29, 2020 by Joy Von Spain

BrooklynVegan is currently streaming “Wind” from activist and luminary Butoh dancer VANESSA SKANTZE’s Writhing Treasure Feast.

Writhing Treasure Feast is a soundtrack to SKANTZE’s solo dance exploration. Here, SKANTZE explores the sounds of the fierce beauty, pain, resourcefulness, and resurrection of the land, the people, the creatures, and elements of the original Americas, dancing with the gods of Mexico, North America, and Haiti primarily. Writhing Treasure Feast draws from the artist’s travels to Mexico and Haiti, her experience and initiation into a Vodou Sosyete (community) in New Orleans, and her residency in Seattle, the traditional land of the Duwamish People.

SKANTZE produced, directed, choreographed, and performed the live dance elements of the piece as well as conceptualized, co-produced, and commissioned the music, photography, original text, and painting aspects of this magnum opus which incorporates the skills of a host of vanguard sound artists including Masaaki Masao, Erymanthe (Joy Von Spain and Susan Dumett), Pink Void, Greg Campbell and Sioux City Pete, Morher, and Noisepoetnobody with Uneasy Chairs and Cailleach.

Divided into seven sections: Stone, Sea, Wind, Fire, Serpent, Muck, and River featuring lush and unexpected soundscapes, the offering was recorded and mixed by Marc Tweed, mastered by Casey Chittenden Jones, and includes artwork by Ambrosia Bardos and photography by Anima Nocturna.

Stream the audio for “Wind” HERE

Complete press release HERE

PATHOGENS: Soiled Cogs Forever Grinding Full-Length From Apocalyptic Death Industrial Project Out Now And Streaming Via Scry Recordings
March 29, 2020 by Joy Von Spain

An uncomfortably accurate reflection of a dying world, PATHOGENS exists solely to serve as an unflinching reminder of the negative influences of the human species inhabiting this planet.

Soiled Cogs Forever Grinding, the latest offering from apocalyptic death industrial project PATHOGENS, is out NOW and streaming via Scry Recordings and Black Horizons.

PATHOGENS is A. D. Carter using manipulated samples, distorted synth, found objects and contact mic recordings, electronic drums and percussion, electric guitar, voice, and throat. An uncomfortably accurate reflection of a dying world, PATHOGENS exists solely to serve as an unflinching reminder of the negative influences of the human species inhabiting this planet. Taking early Swans influences to an even more bleak and excruciating extreme, A. D. Carter blends synth distortion, primal mechanical rhythms, profoundly disturbing samples, and nightmarish agonized vocalizations to create death industrial doom akin to its influences, yet unique and singular.

read more HERE

PATHOGENS: Apocalyptic Death Industrial Project To Release Soiled Cogs Forever Grinding Via Scry Recordings And Black Horizons; New Track Streaming + Preorders Available
March 1, 2020 by Joy Von Spain

Apocalyptic death industrial project PATHOGENS will release the three-song Soiled Cogs Forever Grinding via a partnership between Scry Recordings and Black Horizons on March 13th.

PATHOGENS is A. D. Carter using manipulated samples, distorted synth, found objects and contact mic recordings, electronic drums and percussion, electric guitar, voice, and throat. The reflection of a dying world, PATHOGENS exists solely to serve as an unflinching reminder of the negative influences of the human species inhabiting this planet. Taking early Swans influences to an even more bleak and excruciating extremes, A. D. Carter blends synth distortion, primal mechanical rhythms, profoundly disturbing samples, and nightmarish agonized vocalizations to create death industrial doom akin to its influences, yet unique and singular.

In advance of the release of Soiled Cogs Forever Grinding, Captured Howls is streaming “Hollow Eyes” noting, “The track begins with and mostly runs on a bubbling stew of nauseating, thick-toned sonic muck. It’s a meaty, repeatedly drawn out series of tones that erratically surge and retract over and over again. Listening feels somewhat like what gradually falling through increasingly suffocating quicksand must be like — there’s no breathing room, no empty space, just the devilishly snaking, crushing tidal waves of this brutal sound…”

Read more and stream “Hollow Eyes,” exclusively at Captured Howls, at THIS LOCATION.

Recorded and mixed by A. D. Carter at Minecrawl Studio and mastered by Egan Budd with layout by Zach Wise Soiled Cogs Forever Grinding will be released on cassette (limited to 50 copies) and digital formats. For preorders go to THIS LOCATION.

 

READ MORE HERE

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